Bringing Dance Performance Online

Brooklyn-based choreographer Chris Elam and his company, Misnomer, are working to use the Web for dance the way music, film and video have. “Borrowing a page from indie-rock bands that have little means for marketing or distribution, he envisions Web sites with streaming video of rehearsals and viewer comments; live video chats with dancers and audiences; and user profiles that are maintained in a database.”

Conductor’s Boston Walkout Reverberates On The Canadian Prairie

The entire concept of the Edmonton Symphony’s program this weekend is now shot. “Kuerti: Father and Son” was to feature 32-year-old conductor Julian in collaboration with his renowned pianist father, Anton. But with Russian conducting legend Gennady Rozhdestvensky having walked out on the Boston Symphony because he didn’t get top billing, Julian, who’s the BSO’s assistant conductor, has to step in.

Tribeca Film Fest Adds A Branch In Qatar

“New York’s Tribeca Film Festival, founded by actor Robert De Niro after the September 11 attacks, plans to stage a new festival in the Gulf Arab state of Qatar next year. Created as a way to rejuvenate lower Manhattan after the 2001 al Qaeda attacks, Tribeca has become a showcase for international films with a political edge, and organizers said the Tribeca Film Festival Doha would do the same.”

Bush May Not Be A Reader, But He’s Sure Sold Books

“Whether you loathed him, liked him, or merely tolerated his face in your peripheral vision, George W Bush was a success in one respect: at the American bookstore. Since the contested election of 2000, current events and political titles have helped prop up America’s sagging publishing industry, proving to be the fastest growing sellers at chain stores.” It’s a different game now for publishers and readers.

On-Screen Opera: An Art Form Unchanged

“Two years ago, Douglas McLennan wrote in the Los Angeles Times that, by broadcasting operas live to cinema screens in high definition video, the New York Metropolitan Opera had created a new art form,” Karen Fricker writes, begging to differ. “Although I share his enthusiasm – at least at the moment – it’s the delivery method that’s startlingly different, rather than the art form itself.”