Chinese Government Control Of The Art Market Threatens It

What counts as a problematic work tends, loosely, to be anything explicitly sexually suggestive, some nudes, those with religious subject matter and politically engaged works that might be construed as criticising the Chinese regime. A foreign exhibitor at one of the fairs says anonymously that they were not allowed to bring a work that joked about global trade and Chinese manufacturing. Works by Georg Baselitz and Francis Bacon, proposed by international galleries were apparently among those turned down this year.

Undergrads Are Fleeing The History Major: Study

“History has seen the steepest decline in majors of all disciplines since the 2008 recession, according to a new analysis published in the American Historical Association’s Perspectives on History. ‘The drop in history’s share of undergraduate majors in the last decade has put us below the discipline’s previous low point in the 1980s,’ reads the analysis.”

Struggling To Find The Aesthetic Self(ie)

Consuming these images is stultifying. To be digitally femme means to bathe anxiously in the images of others and act impotently in response, liking a photo or congratulating others on their beauty. More stultifying is that this is done in spite of knowing the effort that went into each composition. The selfie is a cover-up, hiding both the means of its own production and the true self.

The Communist Manifesto Becomes A Cantata

Choral Marx, which was recently performed at NYU’s Skirball Center, consists of nine singers whose variously musical utterance transfigures, toys with, and otherwise implements eight heavily excerpted selections from the 1888 Samuel Moore translation of the Manifesto. Led by [composer Ethan] Philbrick’s cello, the band played all the hits: ‘The history of all hitherto existing societies/ Is the history of class struggle,’ ‘The bourgeoisie has reduced personal worth to exchange value,’ ‘There is a specter haunting this world’ and so on.”