Tag: 11.28.18

In Search Of Less Wealthy Visitors, Louvre Starts Monthly Free Saturday Nights

“The world’s most-visited museum previously opened for six free Sundays a year, but a statement published Wednesday said this was failing to bring in visitors from a broad spectrum of society. … The Louvre is hoping to appeal to more people living in poorer Paris suburbs as well as to young adults and families with older children with the initiative.”

How To Look At Art?

Art is regarded as part of a wide aesthetic world, not sealed in a vacuum, so Robert Gober’s “Untitled Leg” spurs associations not just to Duchamp’s 1917 readymade urinal “Fountain,” Meret Oppenheim’s 1936 “Object” and Duane Hanson’s 1970s Madame Tussaud-like sculptures but also to an Alfred Hitchcock movie and Oz’s Wicked Witch of the West.

Changing Museums’ Wall Texts To Acknowledge The, Well, Problems With Certain Artists

“While museum wall labels were once used to explain the ‘title, artist, date’ status of an artwork, they’re quickly becoming a place to spark debate, rewrite history and acknowledge untold stories. In light of the #MeToo movement, wall labels are finally starting to include the controversial information that surrounds an artwork or artist. It could soon become the expectation.”

Ten Literary Translators On The Art Of Translation

Lydia Davis: “In translating, then, you are … always solving a problem. It is a word problem, an ingenious, complicated word problem that requires not only a good deal of craft but some art or artfulness in its solution. And yet the problem, however complicated, always retains some of the same appeal as those problems posed by much simpler or more intellectually limited word puzzles — a crossword, a Jumble, a code.” (Among the other translators included are Jhumpa Lahiri and Vladimir Nabokov, who makes the job sound impossible for anyone but himself.)

As Confederate Monuments Come Down, Whom Should 21st-Century Monuments Honor?

“What should a contemporary monument look like? Who deserves to go up on a pedestal? Should there be a pedestal at all? Five artists, or groups of artists, from each of the five cities involved in New Monuments for New Cities were invited to respond to the questions and to create a poster or projection of their ideal monument. The same 25 designs will travel to each location: Houston; Austin, Tex.; Chicago; Toronto; and New York.”

An Oscars Columnist Explains Why The Oscars Still Matter

Kyle Buchanan, the New York Times‘ new Carpetbagger: “This isn’t rah-rah boosterism: These awards can frustrate and often miss the mark, but that’s why they remain so crucial. If the Oscar nominations provide a snapshot of that year in Hollywood, and Hollywood helps shape the way we see ourselves, then examining them can tell us not only where the industry is headed but also where our cultural blind spots still lie.” Exhibits A, B, and C: #OscarsSoWhite, #MeToo, and #TimesUp.

Manchester Is Using The Arts To Address Its Homelessness Crisis

“The city council’s homelessness strategy for the next five years explicitly includes a commitment to increasing access to arts … [as part of] what is described as a jigsaw of homelessness support approaches.” Says one arts executive involved, “Funding to local government to help tackle homelessness was reduced, so for the first time the city council said they couldn’t solve it on their own – and we were there to offer a solution.”