“Artist and printmaker Lilian May Miller constructed her personal image as consciously as she did her artwork. When she was in Japan, she wore Western clothing, often favoring Amelia Earhart-esque ties and mannish blazers. On a 1929 lecture tour in America, on the other hand, at a time when Japanese women were casting off kimonos, she wore traditional Japanese dress. She cropped her hair short, went by Jack among family and friends, and described herself as unable to work up ‘even the ghost of’ a romantic interest in men.”
Tag: 12.01.17
At Houston’s Flood-Damaged Wortham Theater Center, Repairs Reveal Unpleasant Surprises
“While inspecting the property for damage, workers discovered additional layers of walls that they did not know existed. The inner walls, hidden behind the outer walls, contained insulation that took on water and remain potentially infected with bacteria that could grow if left in the basement.” Re-opening of the venue, home to Houston Grand Opera and Houston Ballet, has been postponed from May until at least September.
Vincent Scully, 97, ‘The Most Influential Architecture Teacher Ever’
“In more than a dozen books and thousands of lectures that were an awe-inspiring form of performance art, Dr. Scully sought to impart several central ideas: that buildings help define a culture, that architecture should be a humanizing force and that a well-built community can foster a well-lived life.”
Acting Studios Where The Greats Once Trained Are Facing Hard Times
Independent drama schools where such legendary teachers as Stella Adler, Uta Hagen and Sanford Meisner are getting squeezed by the rising costs of space, competition from university-based programs, and smaller pools of students – students who, often as not, are more interested in audition-skills classes than in honing their craft.
Turmoil At Royal New Zealand Ballet As Nearly Half Of Dancers Leave
“It’s understood close to half of the current 36 dancers employed by the national ballet company will have left by the new year, not all by choice – less than six months after a new artistic director took over. It’s the second year in a row the national ballet company … has gone through an artistic upheaval.”
Minnesota Opera Artistic Director To Retire After 23 Years
Dale Johnson, alongside longtime president Kevin Smith, saw the company through more than one crisis and led it to become one of the most admired regional opera houses in the country, one with a special emphasis on producing new work.
Why Do So Many Adults Love Young Adult Literature?
Yes, one expert says, what you might suspect is the reason actually is the reason: “It all goes back to Harry Potter.”
The AIDS-Crisis Silence=Death Poster Is Iconic, But How Did It Come To Exist?
Avram Finkelstein: “For public discourse to pierce through the churning perpetual motion machine of the American commons, it needs to come in bursts. Manifestos don’t work. Sentences barely do. You need sound bites, catchphrases, crafted in plain language. The poster is exactly that, a sound bite, and vernacular to the core. The poster perfectly suits the American ear.”
Humans Were Around For A Long Time Before Index Cards, But That Time Wasn’t Very Organized
Though, of course, humans use organization for good and for evil: “The index card was a product of the Enlightenment, conceived by one of its towering figures: Carl Linnaeus, the Swedish botanist, physician, and the father of modern taxonomy. But like all information systems, the index card had unexpected political implications, too: It helped set the stage for categorizing people, and for the prejudice and violence that comes along with such classification.”
This 78-Year-Old French Avant-Garde Theatre Director Is Just Trying To Get More (A Lot More) Done
Ariane Mnouchkine, a founder of the Théâtre du Soleil (the founders got the theatre’s acreage in 1970 by squatting at a building the army abandoned), lives her values, including getting ready to cancel a hugely expensive trip to the U.S. if three Afghanistan-born actors can’t get visas. “Among the 100 members of her troupe, 26 countries are represented and as many languages spoken. In an era of creeping nationalism and ambient xenophobia, Ms. Mnouchkine stands firmly opposed to reflexive demonization.”