In Madrid, Mortier Sings A Similar Song

In his first press conference since being named the next artistic director of the Teatro Real, Gérard Mortier described hopes and plans notably similar to those he had for New York City Opera before he walked away from the top job there. He says the Real has “enormous potential”; he wants to open the theater to the city and bring in lots of new audience members, including young people; he wants 35 percent of the repertoire to be 20th-century works (and says that, in his experience, “the public reacts effusively to modern opera”).

Even At 100, Elliott Carter Still Gives Good Quote (And Lots Of It)

On his music and its reputation for complexity: “I’m not sure it’s complex. Contrapuntal music always has many lines coming together. What you’re hearing you should not analyze in detail – you’re hearing the total effect. This is not very different from classics, like Mozart… It may sound like some random piece of writing, but it isn’t at all.”
And: “To put it bluntly, when my second quartet was played here at Harvard, my old teacher Walter Piston said to me, ‘you know, if I knew what it sounded like, I would have put the four players in separate rooms and shut the doors.'”

Royal Ballet Does Fashion Tie-In

“London’s Royal Ballet is looking beyond just ticket sales for revenue by teaming up with Italian dance and fitness clothes maker Freddy. In a partnership that could help the world-famous dance company ride out the recession, which is expected to hit demand for its shows, Freddy has designed a collection of clothes specifically for the dancers and another to go on general sale.”

A ‘Surreal Human Sculpture’ Of Violinists Among The Waves

“Here’s a great photo that Getty photographer Paul Kane snapped at Perth’s North Cottesloe Beach earlier this week. The performance features musicians from the West Australian Symphony Orchestra playing their own instruments in the surf. It’s apparently the latest in a series of ‘surreal human sculptures’ by artist Andrew Baines.”

Was Hoff Bounced From Pal Joey?

When Christian Hoff withdrew from the lead in the Broadway revival of Pal Joey, the official word was that the actor had a foot injury. That was true, says Michael Riedel, but “Hoff’s injury was minor, and he wanted to return to the show. But several people involved in the production didn’t want him back.”