She Plagiarized Poetry, Tattooed It On Her Arm… And Now Her Career Is In Shreds

Ailey O’Toole’s bizarrely brazen act of plagiarism — stealing lines, phrases, and structural elements from the work of at least three other writers — was uncovered last Friday, unraveling her career at the speed of Twitter, the medium by which her fledgling reputation lived and died. Within 24 hours, the literary press Rhythm & Bones had canceled her forthcoming book of poems, and the insular world of poetry Twitter had already gone through a cycle of blame, bafflement, and measured defense. – New York Magazine

Salonen’s Departure From London’s Philharmonia Raises Questions About Orchestra’s Future

The simultaneous departures at the end of 2020-21 of Salonen from the Philharmonia and Vladimir Jurowski from the London Philharmonic pose big questions for the Southbank Centre. Both conductors have kept their orchestras at the top of the league. Yet both the Philharmonia and the LPO will need to ensure that the Southbank possesses a long-term commitment to the work the orchestras want to do – whatever that now is. – The Guardian

Albert Einstein’s ‘God Letter’ Sells For $3 Million At Auction

“The one-and-a-half-page letter, written in 1954 in German and addressed to the philosopher Eric Gutkind, contains reflections on God, the Bible and Judaism. Einstein says: ‘The word God is for me nothing more than the expression and product of human weaknesses, the Bible a collection of honourable, but still primitive, legends which are nevertheless pretty childish.'” (Even so, Einstein maintained that he was not an atheist.) — The Guardian

This Man Has Choreographed Four Different Nutcrackers (And Danced In Two Others)

Val Caniparoli has created different versions of the piece for the Cincinnati, Louisville, Grand Rapids, and Royal New Zealand Ballets, and at San Francisco Ballet he’s danced the settings by Lew Christensen and Helgi Tomasson. He talks to Avichai Scher about how he keeps them all straight in his head and different on the stage. — Dance Magazine