“It took five years of active persuading, plus nearly two decades of water under the proverbial bridge, before choreographer Donald Byrd finally agreed to resurrect The Harlem Nutcracker. Instantly loved after its 1996 New York premiere, his Nutcracker was financially doomed by 2001 — and left some scars on its way out.” But this year, firmly ensconced at Seattle’s Spectrum Dance Theater, Byrd is at last ready to return to it. – The Seattle Times
Tag: 12.05.19
San Francisco Opera Names Its First Female Music Director
“Eun Sun Kim, the South Korean conductor who made a powerful San Francisco Opera debut in June leading Dvořák’s Rusalka, has been named the company’s next music director. She will be just the fourth person to occupy the position in the company’s nearly 100-year history, and the only Asian woman to hold an artistic leadership role with a major North American opera company.” – San Francisco Chronicle
‘Radiolab’ Co-Host Robert Krulwich To Retire
The 72-year-old public radio and network television veteran has been alongside creator Jad Abumrad at the center of the popular podcast/radio series for 15 years. “No end date has been announced, with Krulwich hinting to one episode being finalized for ‘next week’ and an eventual super-sized episode about ‘a world population puzzle’ as his remaining Radiolab duties.” – Ars Technica
Tenor Vittorio Grigolo Fired By Both The Met And Covent Garden
“[The 42-year-old] was dismissed Thursday by two of the world’s most prestigious houses: the Royal Opera in London and New York’s Metropolitan Opera. His firing comes after an investigation by the Royal Opera, which determined that he had demonstrated ‘inappropriate and aggressive behavior‘ during an RO tour of Japan in September.” – NPR
For The First Time In Living Memory, The Met Extends An Opera’s Run
“[Porgy and Bess], which opened the season in September, was scheduled to return on Jan. 8 for seven performances, through Feb. 1. On Thursday, the Met announced it would add three more, on Feb. 4, 12 and 15. Big repertory companies, which plan their crowded schedules years in advance, rarely have the flexibility to add performances to even their most successful shows. But the Met had an unexpected hole in its schedule.” – The New York Times
Australia’s Prime Minister Eliminates Arts Ministry
“The Arts, already an addendum to the Department of Communications and the Arts, will be merged along with the rest of the department into a new one with the unwieldy title of the Department of Infrastructure, Transport, Regional Development and Communications.” What’s more, Prime Minister Scott Morrison did not consult department head Mike Mrdak — and only notified him the afternoon before the announcement. – Limelight (Australia)
This Author Has a Beef With Amazon
Richard Kostelanetz has produced many titles in his Archae Editions line of books over the past eight years via Amazon’s print-on-demand publishing service. But a few weeks ago they suddenly disappeared from the Amazon site. … – Jan Herman
Turner Prize’s Shared Winners Decision Says Something Important About Today’s Arts World
Phil Kennicott: “The artists’ appeal, and the jury’s willingness to grant it, says a lot about the kind of art these particular artists make, which is political, documentary, socially engaged and deeply intertwined with activism. This wasn’t just about refusing the idea that one of them take home the 25,000 pound first prize while the other three received the 5,000 pound finalist awards. Rather, it was about giving one social concern priority over the others.” – Washington Post
Using Digital Media To Preserve Indigenous Australian Storytelling
“For millennia, Indigenous Australian communities have been passing down histories, knowledge, language and customs, largely through oral storytelling. But in a world of digital addiction, where even the most remote parts of the country are being infiltrated by smartphones, telling stories via screens is the new necessary: a way to both preserve tradition and reach out to the young.” – The Guardian
Martin Filler: MoMA’s Growth Imperative
MoMA’s endorsement of unending growth is central to the advancement of corporate values that lie at the heart of the existential crisis facing not just it and countless other cultural institutions, but the planet itself. For more than two decades, MoMA has been in a perpetual state of aggrandizement to anticipate the imagined needs of the twenty-first century and future generations yet unborn. – New York Review of Books