THREE-RING MUSEUM

“Considering the Guggenheim’s latest proposal, to appropriate a sizable portion of lower Manhattan for the purpose of creating a mammoth fun-and-games cultural emporium: The Guggenheim Museum is itself no longer a serious art institution. It has no aesthetic standards and no aesthetic agenda. It has completely sold out to a mass-market mentality that regards the museum’s own art collection as an asset to be exploited for commercial purposes.” – New York Observer

THE CAT SWINGS BACK

The “Seussical” cast has written a “Cat in the Hat”-like review of critics in verse: “I do not like reviews that pan, I do not like them, actor I am. Could I, would I like to see Clive Barnes swinging from a tree? Could I, should I, hope in vain To see them writhing in such pain? I could, I would, oh what the heck, Make them go through four months of tech.” – New York Post

GOING AFTER THE GUY AT THE TOP

The US government is aggressively going after Bernard Taubman, formerly chairman of Sotheby’s, trying to tie him to the price-fixing scandal with Christie’s. The government is attempting “to build its case against Mr. Taubman with the testimony of assistants who could confirm meetings between top executives from each company.” – New York Times

NUNN SPEAKS OUT

The press continues to dog Trevor Nunn and speculate over his departure, despite the National Theatre’s continued success – including earning five of nine “Evening Standard” Awards last week. Nunn’s response: “Some of the suggestions about what should happen are the equivalent of somebody offering help to a brain surgeon by giving them a hammer and chisel.” – The Independent (UK)

BOOM TIMES AT STRATFORD

Canada’s Stratford Festival, leaning on popular theatre fare, is in a boom time. “The festival made a record profit of $4.3 million this summer, with a biggest-ever attendance of 639,000. Festival attendance has been rising steadily over the past seven years. In 1994, it was 440,000, last year it topped 590,000.” – Toronto Star

WRITE-INS

At a London charity auction, some of Britain’s bestselling authors auctioned off the names of characters in their next books to the highest bidders. One catch: the writers wouldn’t guarantee any character would be a “good guy.” – BBC

THE GRINCH WHO STOLE CREDIT

Did Clement Clarke Moore steal credit for writing “The Night Before Christmas?” “Many clues – including the original names for two of the reindeer, Dunder and Blixem – support the idea that a Revolutionary War major named Henry Livingston Jr. penned the poem, as his descendants have contended for about a century and a half.” – Philadelphia Inquirer