How Silence About Terrible Things Shapes Experience (A James Levine Story)

“This is an essay about what happens when knowledge is warped by a cult of interpretive genius. It is about having had my understanding of music fundamentally structured by James Levine’s craft when I was the same age as the children he allegedly liked to abuse, and in the process having decided not to know what I knew. It is about what it means to me that my love of music and my understanding of how it should sound were shaped by someone who abused children, and that the institutions in which and by which that love was fostered likely protected the abuser and enabled the abuse.”

How A Federal Raid Over Pilfered Artifacts Fueled Rage Over Bears Ears National Monument

“The locals, accused of pilfering ancient artifacts from the surrounding desert, were charged with violating the federal Archaeological Resources Protection Act and the Native American Graves Protection and Repatriation Act. Authorities recovered more than 40,000 artifacts, some dating to 6,000 B.C., Smithsonian Magazine reported. The federal sting — dubbed Operation Cerberus by authorities —  would prove to be the match igniting long-simmering tensions across the region.”

Cuban Artists Crowdfund For A “People’s” Biennale

“The democratically minded #00Bienal will be “the Havana Biennial for everyone”, says the artist Luis Manuel Otero Alcántara, one of the main organisers of the event. The aim is to provide a platform for artists who do not have the visibility or official status to participate in a government-sponsored biennial. Street, Outsider, performance, digital and conceptual artists and photographers are all invited to submit proposals.”

Inside The Hollywood Power Structure That Tolerated Harassment

“It is impossible to say how many women might have been spared Mr. Weinstein’s alleged sexual aggression had more agents responded with the impulse to act. At C.A.A., at least eight agents had heard about Mr. Weinstein’s behavior, largely from actresses they represented, but several former senior C.A.A. agents said they were unaware of it or any formal agency response.”

The Silent Killer: What Does Harassment In The Theatre Look Like?

“After we solicited stories about harassment from the field last month, more than 100 theatre artists from around the country sent us emails or spoke to us over the phone and in person about their experiences. It is not only women who are the targets of harassment; men and gender-nonconforming individuals also had firsthand experiences to share. Most requested anonymity, citing an industry that, compared to Hollywood, is much smaller and more localized.”

The Director And The Pharaoh: How Thomas Hoving Created The Museum Blockbuster

“The first blockbuster museum show to be so labeled, a traveling loan of funerary objects [under the title ‘Treasures of Tutankhamun’] that brought in 8 million visitors nationwide and filled Egypt’s coffers with gift-shop profits, was unprecedented. It was an ancient-art exhibit that was also a pop-culture moment … [And] no one did more to bring Tut to the States, or indeed to bring museums into the larger world of marketing and commerce, than the Metropolitan Museum’s director, Thomas P.F. Hoving.”

The Whole Idea Of ‘The Great American Novel’ Is Gendered And Generally Ridiculous, Writes Ursula K. Le Guin

“To me, the keystone of the phrase ‘the great American novel’ is not the word American but the word great. Greatness, in the sense of outstanding or unique accomplishment, is a cryptogendered word. In ordinary usage and common understanding, ‘a great American’ means a great American man, ‘a great writer’ means a great male writer. … It makes perfect sense to me that I’ve never heard a woman writer say she intended, or wanted, to write the great American novel.”

They’ve Found The Person Who Paid $450 Million For Leonardo’s ‘Salvator Mundi’

“He is a little-known Saudi prince from a remote branch of the royal family, with no history as a major art collector, and no publicly known source of great wealth. But the prince, Bader bin Abdullah bin Mohammed bin Farhan al-Saud, is the mystery buyer of Leonardo da Vinci’s painting Salvator Mundi,” which is thought to be the last of the artist’s surviving works in private hands.