“There are objective criticisms you can make, you can point stuff out, but how you decide to rate or value the things done well, how much you penalise the things done less well—it’s a semi-random choice. It’s also hard to distinguish from the exercise of deep prejudice. You can use a softer word than prejudice, like bias, or even turn it into a term of praise—you can call it taste.” – Prospect
Tag: 12.07.18
Public Radio And TV Must Reimagine Themselves Or ‘Lose Their Reason To Exist’: Outgoing CPB Board Member
Howard Husock, an executive at the Manhattan Institute, points out the ways that the media landscape has been transformed since the passage of the 1967 Public Broadcasting Act, not least the fact that non-public television is no longer a “vast wasteland” and public radio is no longer an afterthought to television. — Current
We Measure Attention – But Is Attention A Commodity?
Conceiving of attention as a resource misses the fact that attention is not just useful. It’s more fundamental than that: attention is what joins us with the outside world. ‘Instrumentally’ attending is important, sure. But we also have the capacity to attend in a more ‘exploratory’ way: to be truly open to whatever we find before us, without any particular agenda. – Aeon
Amazon’s Prime Video Channels Will Pull In $1.7 Billion This Year
That’s more than double the revenue from last year, and analysts say that the figure should more than double again by 2020. — The Hollywood Reporter
Gender Pay Gap In British Arts World Remains Serious Problem: Study
“Figures drawn from Arts Professional‘s 2018 online survey of pay and earnings reveal that on average, women in full-time employment in the cultural sector earn 10.6% less than men, … with women being only half as likely as men to reach senior roles by their mid-30s, and on average earning less than men as their careers progress.” — Arts Professional
The Nutcracker Industry: By The Numbers
Dance/USA’s most recent Annual Financial Survey (2017), shows that Nutcracker/holiday revenue now represents an average of 48 percent of the surveyed dance companies’ overall season revenues and a median of 55 percent. As a percentage of total revenues, it represents an average and median of 15 percent. – Dance/USA
Uh, CNBC? It’s 2018 And Maybe Your Game Show Model Posse Needs To Go
Sooooo, CNBC brought back the game show Deal or No Deal?, and along with it, “26 female models in matching high heels and short, skintight dresses.” Game shows might just need a bit of a rethink. – The New York Times
As The Field Museum Revamps, It Starts To Ask Exactly Whom Its Native American Hall Is For
The remodel of the Native North American Hall is overdue (at any natural history museum), and it’s vital. The hall hasn’t changed since its inception in the 1950s, and it’s a mess. How will the Field Museum do it right? “The renovations are taking place under the guidance of a robust advisory committee made up of contemporary Native American tribal leaders, scholars, artists, historical society representatives, and cultural caretakers.” (And it won’t remain stuck in time for 65+ years, either.) – Chicago Reader
Senegal Opens Museum Of Black Civilizations, Funded By China
The museum, in Dakar, is pan-African and also includes works from the Caribbean. A UNESCO official said, “This museum is a response to the aspirations of African children to better understand their memory and other cultures. It is also an important step towards the realization of an Africa with a strong cultural identity.” – AfricaNews
If ‘Widows’ Really Wanted To Be Feminist, Well, It Threw Away Its Shot
Director Steve McQueen and his co-writer Gillian Flynn might say the movie, starring Viola Davis at the head of a very fine cast of badass women, is feminist, or deals with racism and sexism at every level of society, but … well. “Their dialogue starts to read like promotional materials for the newest brand of Feminism Lite.” – Vice