Uh Oh: Now We Have To Worry About Provenance Of AI Art?

In the fallout of the Christie’s sale it emerged that the AI was actually the work of another artist, Robbie Barrat. He had programmed it, trained it on works from Wikiart and used it to generate very similar portraits, before he posted the code online with an open-source licence, so others could use it freely. So not only is the Obvious portrait not attributable to the AI – it’s not even really attributable to Obvious. – BBC

Study: How To Build Trust In The Media

It finds that news consumers are more trusting of the media—and more secure about their own ability to discern the truth—when they are exposed to a combination of fact-checking articles and opinion pieces arguing for the importance of journalism. “When one side attacks over and over again, and the other doesn’t respond, at some point people assume that journalists have conceded the point that they’re biased.” – Pacific Standard

Meet The Man Who Took Care Of Oakland’s Ghost Ship — And Who’s Awaiting Trial For The Deaths In The Fire There

“Once a week, Max Harris is allowed to leave his 6-by-12-foot cell to go outside. The first thing he does, before the other inmates arrive in the small cement yard in Santa Rita Jail, is run around and pick up all the bugs … He wants to move them out of harm’s way before other men start playing basketball. — The New York Times Magazine

Blockbuster Films With Female Leads Sell Better: Study

“In a report compiled by media research agency Shift7 in collaboration with leading agency CAA, revenue for 350 high-grossing films released between 2014 and 2017 was assessed, and the average results for female-led films did best, at every budget level.” What’s more movies that pass the Bechdel Test do better box office than those that fail it. — The Guardian

Dinner Theater In The 21st Century: Upscale, ‘Immersive’, And Actually Related To The Play

Back in 1973, the Times described the then-popular phenomenon as “restaurants that feature live theater.” Now it’s the other way around, writes Elisabeth Vincentelli: “The productions I caught this fall at least tried to make food an integral part of a show’s aesthetic and thematic universe. In turning New York venues into giant food courts, some even succeeded.” — The New York Times

Ellen DeGeneres Is So Tired Of Being *Nice* That She’s Considering Quitting Her TV Show

“She has to be the only 60-year-old woman in America who is expected to dance with total strangers wherever she goes. … In person, she is more blunt, introspective and interesting than she is on the show, willing to express mild irritation that might seem off-key in front of a national audience. She’s also much more likely to explore dark corners of her psyche, regrets, second thoughts, anxieties that linger.” — The New York Times