London Theatre Axes Play Because It’s Too ‘Highly Conflictual’ During Anti-Sexual Harassment Campaign

“The Royal Court Theatre has shelved its planned production of Rita, Sue and Bob Too after The Guardian revealed its original co-director Max Stafford-Clark had been forced to step down after allegations of sexual harassment. The play, which tells the story of two teenage girls who have a sexual relationship with an older married man, has been on a UK tour … Royal Court’s artistic director, Vicky Featherstone, has been a leading figure in the drive to combat sexual harassment in the industry.”

Top Posts From AJBlogs 12.13.17

Time to Rethink: Court Extends Injunction Preventing Berkshire Museum Disposals
It’s time for the Berkshire Museum to face reality: Its pursuit of easy money through art disposals has backfired, devolving into a litigation exhibition with no end date, costly to both its reputation and what’s left of … read more
AJBlog: CultureGrrl Published 2017-12-13

Celebrating Chicago pianist Willie Pickens (1931-2017)
Willie Pickens, 86, a powerful, lyrical and generous modernist who performed, taught and mentored young musicians from Chicago starting in 1959, died of a heart attack on Dec. … read more
>AJBlog: Jazz Beyond Jazz Published 2017-12-13

Aida at the Met
When I was a teenager, my mentor in all things operatic was Conrad L. Osborne. I read him religiously in High Fidelity magazine. I thrilled to his encyclopedic erudition, to his impassioned advocacy, and … read more
AJBlog: Unanswered Question Published 2017-12-13
 

Research: Susceptibility To Fake News Related To Cognitive Ability

“The ‘lingering influence’ of fake news ‘is dependent on an individual’s level of cognitive ability,’ psychologists Jonas De Keersmaecker and Arne Roets of Ghent University write in the journal Intelligence. They report people with greater cognitive skills can and do make corrections when new, better information supersedes a mistaken early report. Those whose reasoning, understanding, and problem-solving abilities are less advanced have trouble making that switch.”

Salma Hayek’s Chilling Story About Harvey Weinstein’s Abuse

The range of his persuasion tactics went from sweet-talking me to that one time when, in an attack of fury, he said the terrifying words, “I will kill you, don’t think I can’t.” When he was finally convinced that I was not going to earn the movie the way he had expected, he told me he had offered my role and my script with my years of research to another actress. In his eyes, I was not an artist. I wasn’t even a person. I was a thing: not a nobody, but a body.