How Composer Lei Liang Won The Grawemeyer Award

Breaking down his award-winning “A Thousand Mountains, a Million Streams” – and hearing from the composer himself: “It’s a challenge to see myself as a vessel, as an imaginative and creative force that has a place in history — so that you create while you preserve at the same time. Today, in a different world, that encompasses the environmental, cultural and spiritual responsibilities an artist has.” – The New York Times

The Metropolitan Opera Conductor Who Originally Wanted To Be The Pope

Yannick Nézet-Séguin says that after many years of wanting to conduct the Mass, he decided one day when he was 10 to play-act at conducting Mozart’s Symphony No. 40. That day, everything changed: “At that moment, my fascination with reli​g​ion was transferred to music and the liturgical aspect of the church became the ritual of the concert.” – The New York Times

Better To Be Cautious When Giving Books As Presents

There are really only two rules, says a man who knows a particularly painful story of an inscribed book that had been passed on. “‘The first is, always save a receipt’ – the reason being, if a book has jumped into your mind as the perfect present for someone, it has doubtless occurred to someone else. … And the second rule? ‘Never write an inscription in a book, unless you’ve written it yourself.'” – The Guardian (UK)

Elizabeth Sifton, Editor And Tamer Of Literary Lions, Has Died At 80

Sifton was also an author, including of a memoir that cemented her father, Reinhold Niebuhr, as the author of the Serenity Prayer. The authors she edited – burnished, as The NYT puts it – included “Isaiah Berlin, Don DeLillo, Ann Douglas, Susan Eisenhower, Carlos Fuentes, Philip Gourevitch, Michael Ignatieff, Stanley Karnow, Stephen Kinzer, J.R. MacArthur, Robert MacNeil, Peter Matthiessen, Jules Witcover and Victor S. Navasky.” – The New York Times

Hungary’s Theatres Protest Orban’s Culture War And Attempted Control

Actors and audiences alike participated in protests against Viktor Orban’s new law around who controls theatre funding. “The change comes as Mr. Orban’s government has become increasingly authoritarian and eroded democratic institutions. It has widened its control over the news media and education, and has given allies roles in overseeing the country’s cultural institutions. And after winning a third term last year, Mr. Orban set the tone for a battle over the arts, saying, ‘We must embed the political system in a cultural era.'” – The New York Times