How American Ballet Companies Keep Reinventing ‘Nutcracker’

“From the San Francisco Lesbian/Gay Freedom Band’s Dance-Along Nutcracker to the New Bedford Ballet’s historical whaling production, A New England Nutcracker” – not to mention a hip-hop version and a “MeshugaNutcracker” for Chanukah – “the message of ‘anyone can watch’ is echoed throughout performances that interpret Tchaikovsky’s score in new – and distinctly American – ways.”

The Lincoln Plaza Cinema Is Going To Close, Alarming Art Movie Lovers

It would be hard to overstate the impact the art house’s owners, Daniel and Toby Talbot, have had in shaping art film reception in New York. The building it’s in, and the theatre itself, need upgrades, but there’s also this: “Moviegoers increasingly want ‘the experience,’ [an assistant manager] said, such as reclining seats and huge screens. ‘We don’t have that stuff. … Here, it’s all about the movie.'”

The Christmas Carol Composer

Does John Rutter care that people know him mostly through his carols? “‘I used to think that was a problem,’ Mr. Rutter said, surveying from his kitchen window the absurdly perfect village he calls ‘idyllic, if a bit Miss Marple.’ He worried that people wouldn’t take his other music seriously. ‘But I’m not unhappy to be associated with Christmas: better than famine, flood or war,’ he said.”

So The Royal Court Cancelled A Play Because Of Sexual Harassment Claims But Reinstated It Because Of Censorship Claims, But It’s Complicated

Let’s follow the story:
A. First, the Royal Court Theatre cancelled a production of Rita, Sue, and Bob Too after the co-director stepped down in a flurry of “misconduct” allegations. (Here’s that story.)
B. Then a lot of people are upset that a play by a woman was cancelled because of the bad behavior of a man (Here’s that story) and/or because of the idea of censorship (here’s one of those opinion pieces).
C. Now the play has been restored after artistic director Vicky Featherstone said she had “been rocked to the core by accusations of censorship and the banning of a working-class female voice.”

Charles Dickens May Have Invented The Christmas Feast, But Many Of His Literary Food Sources Are ‘Unclean’ And Meant To Inspire Social Action

The morality of food is a battlefield now, and it was 150 years ago, when Dickens published A Christmas Carol, as well: “Dickens’s most abiding influence is his conviction that everybody has the right to sit down together and enjoy the same food. Crucially, the Cratchits’ Christmas was not part of any ecclesiastical or charitable space but enjoyed by a poor family in their own home. Dickens was challenging a culture that regarded food as necessarily exclusive. These are conflicts in a war for status and control, in which food is deployed to show that ‘you are what you eat.'”