Tag: 12.18.04

Books, Not Bytes, Rule

With Google digitizing some of the world’s most important libraries, “are the days of the library as a social organism over? Almost certainly not, for reasons practical, psychological and, ultimately, spiritual. Locating a book online is one thing, reading it is quite another, for there is no aesthetic substitute for the physical object; the computer revolution rolls on inexorably, but the world is reading more paper books than ever. Indeed, so far from destroying libraries, the internet has protected the written word as never before, and rendered knowledge genuinely democratic.”

The New Gateshead

Norman Foster’s latest project opens. “The Sage Gateshead, a £70m performing arts centre on the banks of the Tyne, opened yesterday. Its three music venues are shrouded by a vast and billowing steel-and-glass roof that resembles either a bank of low-lying cumulus clouds hugging the river, or the gun-blisters of a second world war RAF bomber.”

Deep Freeze – UK Artists Betrayed

Why were British artists so upset at the arts funding freeze announced last week? Because for the past few years, for the first time in a long time, arts funding had become significant. “Across the country, thousands of artists and thousands of projects have been properly funded for the first time in living memory. For the first time in our professional lives there has been money for experiment, money for growth, money for creative investment. A revolution occurred in Sheffield, where Michael Grandage turned the new money into world-class theatre. At Tate Modern and the National Theatre, visionary leadership has been rewarded with substantial investment and the results are palpable success. Give the RSC a couple of years and it will join them. There is no doubt that this investment was creating a cultural golden age in Britain.”

Punishment By Funding (Or Lack Thereof)

Is government funding for theatre being cut in the UK because of unflattering content? “The possibility has to be considered that the government has engaged in punishment funding in a different area: theatre. Consider one obvious difference between museums and theatres. Except for Hogarth exhibitions, the former rarely editorialise politically, while almost every major theatre has staged at least one play ridiculing the Blair administration over Iraq.”