How Do You Put Conrad’s ‘Heart Of Darkness’ Onto A Stage In 2019? Interrogate It — Hard.

Heart of Darkness is, to use today’s parlance, problematic. … Whether [the novel] is ‘offensive and totally deplorable’, as [Chinua] Achebe insisted, or a searing critique of colonialism trapped in its time, putting it on stage pulls it into the present. Literature might be excused, though not absolved, by context. Theatre isn’t.” Matt Trueman looks at the approaches two directors are taking with their adaptations. (And some of the commenters administer thoughtful interrogations of the projects’, and the article’s, premise.) — The Guardian

NPR Develops Open-Source Tool For Getting Podcast User Data, And Feelings Are, Well, Mixed

Until now, the only tools for telling how long users actually listened to the podcasts they downloaded were the proprietary ones of Apple and Spotify. So NPR developed an open-source tool to get data beyond download figures. But with the privacy scandals that have broken over the past year, some podcasters are leery. — Columbia Journalism Review

Please: Transgender Theatre That Isn’t Strange

“To many playwrights, the very existence of trans people is enough to make up an entire plot, because it’s just that strange. It often doesn’t end up mattering where we come from, who we love, what we think—to be trans is so new and bizarre that everything in the play must be dedicated to parsing that, with almost no attention given to the other important factors that make up our lives.” – Howlround

Tania Bruguera, Just Out Of Prison, Files Defamation Lawsuit Against Cuban Government

“Tired of suffering defamations in state media publications such as Granma newspaper … as well as official websites from the Ministry of Culture,” said the artist-activist in a statement, “I have decided to legally act against parties who have damaged myself and my family, psychologically, socially, and professionally.” — Artnet

Krampus The Christmas Demon Joins The 21st Century

The half-goat-half-devil has been St. Nicholas’s sidekick and enforcer for hundreds of years, warning little Austrian children that they’d better not be naughty. Traditionally he’d only appear once a year and his mask and costume would be more-or-less homemade, but today’s masks have things like glowing LED eyes, and there are Krampus shows with heavy-metal accompaniment that “feels like a rock concert mixed with a rodeo.” — Public Radio International