‘Harry Potter’ Sequel Play Has A Cast, And A Surprise To Some

“In the films, Hermione was played by Emma Watson, a white woman, but [Noma] Dumezweni’s casting continues a tradition of imagining the character as a woman of color — her race isn’t specified in the novels and her status as ‘Mudblood’ in the wizarding world puts her in a similar position to many marginalized people in white institutions today.”

Top Posts For AJBlogs From 12.20.15

Bringing the World’s Most Difficult Quartet to Life

The intrepid Kepler Quartet is trying to finish their recording of the complete string quartets of Ben Johnston. Ben’s health is failing rapidly, it seems, and the project has taken on a race-against-time quality. This… … read more
AJBlog: PostClassicPublished 2015-12-20
Over the weekend I made my first visit to Atlanta’s High Museum of Art. I didn’t have time to check out the entire museum, and I missed an exhibit dedicated to the Hapsburg Empire.… … read more
AJBlog: CultureCrashPublished 2015-12-19
Urban Bush Women Channel John Coltrane

Jawole Willa Jo Zollar’s Urban Bush Women celebrates its 30th Anniversary. “Side B: Freed(om)” of Urban Bush Women’s Walking with ‘Trane. Foreground: Amanda Castro. At back (L to R): Stephanie Mas, Love Muwwakkil, Du’Bois A’Keen.… … read more
AJBlog: DancebeatPublished 2015-12-18
Kati Agocs

Our Composition Department spent the last few weeks immersing ourselves in music by Kati Agocs, a wonderful Hungarian-by-way-of-American-by-way-of-Canadian composer.  We focused our energies on three works, at her suggestion: St. Elizabeth Bells for cello and… … read more
AJBlog: Infinite CurvesPublished 2015-12-18
Canon Fodder: Will MoMA’s New Generation of Curators Intercept Barr’s Torpedo? (with video)

If you think that the de-installation of the Museum of Modern Art’s fourth-floor permanent collection  to make way for Picasso Sculpture was a one-off, think again. That floor’s traditional survey of works from 1940 to… … read more
AJBlog: CultureGrrlPublished 2015-12-18
Lessons to learn

Lessons to learn In my last posts — here and here — I’ve been hitting on weaknesses in some National Symphony programs, aimed at reaching a new young audience. Enough of that. Here’s something… … read more
AJBlog: SandowPublished 2015-12-18
The best theater of 2015

Today’s Wall Street Journal contains my best-theater-of-2015 column. Among those present: Best ensemble. I’ve yet to see a more consistently fine group of actors than the five women who appeared in Danai Gurira’s “Eclipsed,” which… … read more
AJBlog: About Last NightPublished 2015-12-18
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Can New York’s Art Scene Be Saved From Gentrification?

“There’s been a bohemian class in New York that’s been sustained basically since the 1950s. It’s one of the attractions of New York. So the New-York-as-creative-hub mythology is actually not that mythical. People really are attracted to the city for that reason. But New York has also become a commercial hub in terms of advertising and publishing and TV production, film production, all of these different things, and for that reason, you could be kind of an everyday artist, but you can also end up getting a job in the creative industries.”

At The Colburn School, The ‘Last Piano Teacher’ Pushes Students Into The World

“Bidini’s rehearsal room at the Colburn School is a study in ambition, frailties, talent, insecurities and occasional brilliance. The room is bare except for a few chairs, a desk and two pianos that sit side by side: one for Bidini, the other for his student. The student plays, Bidini corrects. On and on it goes through scales, crescendos and silent moments between notes, just before a finger strikes a key hard or slips gently over it to evoke the longing or redemption in the composer’s mind.”

Same-Sex Pas De Deux: Contemporary Ballet Begins To Reflect The 21st Century

Alastair Macaulay: “Ballet exudes tradition, is surrounded by conservatism and still depends on a small core repertory of 19th-century classics. This century, though, it’s been showing multiple signs of changing its character. … What’s become evident, especially this year, is the new propensity shown by diverse choreographers to give equal weight to same-sex and opposite-sex couples.”