“For an hour, musicians tag-teamed from stop to stop in the first car of the train in a continuously repeating performance of the Prelude from Bach’s Cello Suite No. 1.
In G.”
“For an hour, musicians tag-teamed from stop to stop in the first car of the train in a continuously repeating performance of the Prelude from Bach’s Cello Suite No. 1.
In G.”
“Why, for centuries, have people struggled to spell? Because English spelling is horribly hard. It is not just that we have ‘for’ and ‘four,’ ‘stake,’ ‘steak,’ and ‘mistake.’ We also have ‘peak,’ ‘peek,’ and ‘pique.’ ‘Horrid’ has a double consonant in the middle, ‘timid’ a single one. ‘Prefer’ has one ‘f,’ ‘proffer’ two.”
“Marysol: It’s always been about art, which is its basis, but now it’s taken over the social calendar. It’s just this huge social experience and celebrities, every year there’s more and more. … It’s interesting how in the beginning we worked with big art galleries, and then it started transforming into a few art galleries and fashion brands bringing the art element in.”
How to move your product (tastefully) from a nice web page to an in-the-flesh experience? Hire designers, of course.
Acting CIA Director Michael Morell: “Whether enhanced interrogation techniques were the only timely and effective way to obtain information from those detainees, as the film suggests, is a matter of debate that cannot and never will be definitively resolved.”
Deneuve defends fellow actor Gerard Depardieu for his move to Belgium, where the wealth tax is 50 percent instead of next year’s French rate of 75 percent.
“Thursday night’s performance of the 1920s musical was its 6,681st. The other two longest-running shows are Cats, with 7,500 performances, and The Phantom of the Opera, which is still running after more than 10,300 shows.”
“One industry watcher said the fact so many people continued to post their own versions of Gangnam Style had played a huge part in the clip’s success.”
“The Russian box office is to reach $1.3 billion this year, a 15 percent increase from 2011, while the local fare’s share is to decline.”
“Best of all, The Orchestra is no techno-utopian attempt to do away with the concert hall. Rather, it’s an invitation for new listeners to get comfortable with the density of informational delight that can be had there.”