The Currents Propelling The Chaos At The Bolshoi Ballet

“How these dancers are cast is not always based on merit. It’s about who you are loyal to and who you butter up, and who patronises you. That’s the legacy of a communist past. … I asked [Bolshoi Theater chief Vladimir Urin] once if he believed in democracy and he just laughed at me, which is a sort of communist disposition. People of his generation are quite, shall we say ambivalent about democratic principles.”

From a 12,000-Year-Old Turkish City to a Finnish Airport, Europe’s 14 Most At-Risk Heritage Sites

“Some, like the Venetian Lagoon in Italy, are widely familiar, while others – ever heard of Estonia’s Patarei Sea Fortress? – are not. Each was nominated by members of Europa Nostra’s network and voted on by a panel of experts in disciplines including history, archaeology, architecture, and conservation.”

The Cruel Power Inside The Bolshoi

“The world of the theatre is cruel,” the ballet master Boris Akimov says at one point, with a fatalistic shrug. Akimov has spent his entire career at the Bolshoi since joining the corps de ballet, in 1965; for a couple of years in the early two-thousands, he even directed the company. He has seen it all: the dashed ambitions and bitterness, as well as the fleeting triumphs.