“I’m doing so good here, thanks to my brother and the kids,” she said. “I didn’t think I could be this happy without singing, without being center stage.”
Tag: 12.22.17
How Airline Safety Videos Evolved From Boring Instructionals Into Comic Extravaganzas
It all started with Richard Branson’s Virgin Atlantic (“make flying fun again”), which used hand-drawn cartoons. “In the ensuing years, airlines have pulled out nearly every gimmick imaginable to make their safety video a YouTube sensation. A Qatar Airlines video takes place at an FC Barcelona match, an El Al video takes the form of a cringeworthy Devo tribute, and … even sedate, legacy brands like British Airways, Singapore Airlines, United, and Air France have succumbed to the trend in recent years, with tasteful videos that offer their own unique spin on the genre.” Then there’s the undisputed champion, Air New Zealand …
‘We Should Do Nothing’: An Archaeologist Argues Against Rebuilding Palmyra
In an extensive Q&A that also covers the history of the ancient Syrian city, its destruction by ISIS, the lack of an international or UN intervention to save it, and the trade in looted antiquities, Andreas Schmidt-Colinet, an archaeologist who worked at Palmyra for three decades, makes his case for what the West should and shouldn’t do at the site now that the shooting there is over.
How Big Data Is Transforming Social Research (And What’s To Come)
“I think the biggest change that is still to come is that much of the tracking and experimentation that we associate with online behavior will increasingly apply to our offline behavior. That is, right now, many researchers are aware that all our behavior online is tracked and subject to experimentation. For example, when you visit Amazon, they are recording and analyzing your browsing behavior, and they are running experiments to improve their business metrics. However, increasingly, more and more of these same things will happen with our off-line behavior because of so-called ubiquitous sensing and the internet of things.”
Research: Why People Won’t Pay As Much For Digital Goods (Even If They’re Better)
“Despite the many advantages conferred by digital goods, comparable versions of physical goods are valued more. When a physical good such as a paper book, a printed photograph, or a DVD is digitized, it loses some of its value to buyers. Our experiments suggest that the key driver of this value loss is not the resale value of the good, or how much it costs to make, or how long it can be used, or whether it’s unique or popular. We find that the key difference is that digital goods do not facilitate the same feeling of ownership that physical goods do.”
How Billy Crudup Plays 19 People In A One-Man Show
In a New York Times Acting Class video, “[the actor] explains how he becomes 19 characters in David Cale’s play Harry Clarke, which follows a shy Midwesterner as he reinvents himself as a Cockney Englishman.”
The Problems With ‘Little Women’ (It’s Not Exactly A Feminist Milestone)
Samantha Ellis argues that the March sisters end up squelching themselves as they marry (except, of course, for the one who ends up dead), and each of the sequels, starting with the immediate one (Good Wives) is harder than the last. And this could all be quite deliberate on the part of Louisa May Alcott, who never wanted to write Little Women in the first place.
Art Is ‘Not A Luxury Good,’ Says Larry Gagosian, ‘It’s Not A Hermes Bag’
“It’s not a luxury product. I mean it may appear to people who buy Hermes bags, but it’s not a Hermes bag. Sometimes people try to categorize it as a luxury. It’s a disservice to art in my opinion. And it really distorts the nature of the market.” (Well, he would say that, wouldn’t he?) (video)
Can Pop-Up Art Clinics Help People Be Healthier?
”You’re doing the art sitting next to people and you start talking to each other. It creates community and is therapeutic in the sense that the hospital becomes less sterile—it gives it a sense of beauty and helps people feel more at peace and connected to others.”
‘Broadcast News’ Is Terrific, But There Was An Disastrous Alternate Ending That Would Have Wrecked It
When the movie was first in previews, audiences wanted Holly Hunter’s newscast-producer character to end up with one of her two guys. So James L. Brooks, against his better judgment, shot a scene to provide that happy-ish ending. As Jane Craig (Hunter) said in another context, “It’s awful.” Jason Bailey explains.