What’s Good About Bunheads? It Depicts Ballet As More Than Cutthroat Torture

“Recent portrayals” of ballet in the popular media – Black Swan, Breaking Pointe – “have focused too much on the obstinacy, ambition, and perfectionism that fuels the enterprise of becoming a dancer. What makes it art, meanwhile, gets ignored.” But Bunheads “has found a way to bring ballet’s relevance – the meaning of the steps, the dancer’s feel for the movements – subtly but clearly to the fore.”

Cats On Broadway (Real Ones): Casting Breakfast At Tiffany’s

“It is not, thankfully, a speaking role. But the requirements are stiff. Just as Holly’s cat plays a key part in the Truman Capote novella, it does in this new Richard Greenberg adaptation. … [The] role requires not only an animal that can handle lights, microphones and an audience, but also one that can cross the stage, sit, stay and exit on cue. In short, it requires a dog.”

Margaret Bonds At 100 – Still That Rarity, A Black Female Classical Composer

“Margaret Bonds, who died in 1972, is perhaps near the top of the very short list of African-American female composers. Thanks to her partnerships with Langston Hughes and soprano Leontyne Price and others, she’s remembered in some circles as an important figure in American composition. But, mostly, she’s been forgotten.”

Flamenco’s Great Maverick

Israel Galván “maintains an ironic distance from the turkey-cock machismo of old-school dancers, yet the intensity of his performance is fired by pure duende. He’s clearly an experimentalist, yet in contrast to the high-concept productions of much new generation flamenco, aspects of his aesthetic seem close to the playful minimalism of the Judson choreographers of 1960s New York.”