Getting El Sistema(s) Going in the U.S.

In the past two years, more than 30 pilot programs imitating the Venezuelan music education model have arisen in the States, with more in the pipeline, “thanks in part to an award honoring El Sistema’s founder, Jose Antonio Abreu … [who is using] the award money to fund a training program for leaders who will start their own [programs] in the U.S.”

Keeping Afghanistan’s Greatest Treasures Safe Through Decades of War

“In 17 years of war after the 1989 Soviet withdrawal, and five years of Taliban rule, most of the Afghan national museum’s riches were looted and some were deliberately destroyed. But the most valuable items survived, in a vault deep beneath the presidential palace, thanks to five men – among them museum director Omar Khan Massoudi.”

The Late Soviet Union’s Oddest Architecture

The USSR’s final two decades saw “an extraordinary collection of buildings that drew on an extraordinary collection of styles: as well as the Soviet schools of suprematism (a controlled explosion of geometric forms) and constructivism (wild projections, provocative angles), there was a strong western undercurrent, with echoes of everything from Alvar Aalto and Antoni Gaudi to Oscar Niemeyer. And running through all this was a thrilling element of Soviet over-reaching, a hint of sputniks, space rockets and flying saucers.”

Why Have a Ballet Company Just for Dark-Skinned Dancers?

Cassa Pancho, founder of London’s Ballet Black: “The important thing in any specialised skill like ballet or sport is that you have someone reflective of you in the profession. … What may seem like a way of segregating people is actually there to show a concentrated amount of role models for kids coming up through the ranks. … The goal for Ballet Black ultimately is that it becomes obsolete.”