What’s Going On With Sergei Polunin, Anyway?

“Friends and fans watched with trepidation as the wilder elements of the Polunin story emerged: a self-professed desire to quit ballet at the age of 26; … self-comparisons with Alexander the Great; lurid accusations that there was a ‘British mafia’ at Covent Garden … So what do we have in Mr Polunin: deep-thinking artistic genius or spoilt brat? The answer is: probably neither.”

Actors’ Equity At 100

Actors’ Equity Association was born to fight the appalling working conditions actors faced – no pay for weeks of rehearsal, having to buy their own costumes, etc. – in early 20th-century New York. Over the next hundred years, the union bargained successfully with generations of producers, spread across the US, and was at the forefront of social issues from segregation to HIV/AIDS.

L.A.’s UnCabaret At 25

For a quarter-century, “it’s been a place to hear unvarnished, rough-edged ideas being tried out … It brought in funny people from the huge Hollywood talent pool … and freed them to talk about things in their own lives.” Founder Beth Lapides’s key instruction to performers: “When you get onstage, do the material that, if you don’t do it, your head is going to explode.”