“Academic freedom is no simple matter. We have distinct ways of understanding it, often according to class, discipline, race, gender, and ideology. At base, academic freedom entitles us, as both faculty and students, to say or investigate things that might upset others without fear of retaliation. As with any condition of speech, limits exist. And as always, complexity begins at the imposition of limits.” – Chronicle of Higher Education
Tag: sj
The Turkish Grandmother Who Inspired Theatre To Change The World
Her village doesn’t have a stage, so she gathers her performers under a walnut tree in her garden for rehearsals while they do their domestic chores. Her love of theatre is apparently contagious. “When I see Ummiye calling me on my mobile, I come running,” one of her actresses says. And people in other parts of the country want a piece of the action, issuing invitations on social media for the group to perform locally. – BBC
Big-Data Read Of 3.5 Million Books Reveals How Men And Women Are Most Described
“Not surprisingly, women in books are beautiful and men are true-hearted! Yup, when positively described, women (or other traditionally gender-specific female nouns, like stewardess or daughter) are almost always considered at the physical level, whereas men are generally described according to their inherent virtue.” – LitHub
The Increasingly Oh-So-Complicated Politics Of The Politics Of Arts Organization Donors
“You don’t want to have either Fox or MSNBC after you. Those are huge distractions of the time of individual board members and senior management.” – The New York Times
Can Dance Be Meaningful For People Without Sight?
“The intangible exchange of energy between moving and witnessing bodies in real time is what makes the art form so impactful. It’s a beautiful and grandiose idea that I imagine resonates with many dance artists, but, in creating Translations, that belief was truly put to the test. If you take the visual away from dance, what is left? What are we performing when we aren’t being watched? What do we miss and what is revealed?” – Dance International
‘Dear Evan Hansen’ In ASL — How Interpreters Sign The Show’s Emotional Wallops
“Theaters across the country may offer various accommodations, including captioning devices and sign interpretation. But the Kennedy Center is one of the few to add another layer to its live sign-language interpretations by hiring theater-savvy directors who are deaf — that’s the crucial part — to oversee them.” Sarah Kaufman visits a rehearsal to see the artistry and ingenuity at work, especially in tackling the tricky problem of repeated song lyrics. – The Washington Post
The Anthropologists Who Thought They Could End Racism, Sexism
Franz Boas concluded that “there is not one human culture but many, and he started referring to ‘cultures,’ in the plural. He was engaged in ethnography, and he believed that the job of the ethnographer was to disappear, in effect, into the culture of the people being studied, to understand from the inside what it means to be male or female, to give or receive a gift, to bury one’s dead.” – The New Yorker
London’s National Theatre Says 35 Percent Of Its Plays By Living Writers Were By Women Last Season
This figure is still 15% short of the NT’s stated 50/50 target for gender representation, which the theatre has said it will achieve by 2021. It is also below the 42% figure recorded in 2016/17. However, the theatre argued that it is still “on course” to meet its targets. – The Stage
At What Point Is A Dance Move Cultural Appropriation?
“People think that all you have to do is have certain postures, wear certain clothes, dance to certain music” to make it hip hop, Michele Byrd-McPhee says, pointing out that simply donning toe shoes and tutus and dancing to Tchaikovsky does not a ballerina make. “It’s that kind of disconnect from the origins of the culture and the people who created it that’s problematic.” – Dance Magazine
How Women Authors Still Struggle To Be Taken Seriously
“There is anecdotal evidence that gender affects every step of the publishing process. In 2015, Catherine Nichols submitted proposals for a novel to agents and publishers under both her own name and a “homme de plume.” Her male alter ego, George, received far more interest: His manuscript was requested 17 times, compared with two for hers. The tone of the responses was also different.” – The Atlantic