It Wasn’t Mine: Why I Had To Stop Dancing Alvin Ailey’s ‘Revelations’

In an essay that won Brown University’s Barbara Banks Brodsky Prize for Excellence in Real World Writing, undergrad Jamila Wilkinson writes about how, as a young girl, she studied for years at Ailey’s school and danced in his masterpiece with the adult company several times — and how, later, she came to realize why she couldn’t connect with the work. – Guernica

Oppress This, Jair! Brazilian Theatermakers Resist Bolsonaro By Getting Naked

At least that’s what they’ve been doing at the International Theater Exposition of São Paulo, which is “squaring up to an era of right-wing populism with a celebration of otherness, difference and resistance. More often than not, this resistance manifests itself in the naked body. In show after show, nudity takes on a political role.” – The Guardian

With New Curator, New York’s Museo Del Barrio Tries To Make Peace With Activists Who Say It Has Abandoned Its Nuyorican Roots

The East Harlem museum was founded 50 years ago by local artists and teachers who felt that the existing museums and institutions in New York had shut them out. Since then, the museum has expanded its mission to cover art from Latin American itself, and battles have periodically broken out over that change — including this week. In response, the Museo’s director announced that he’ll be hiring a new curator focused on “the art and culture of historically marginalized Latinx communities in the United States, including but not limited to Puerto Ricans, Chicanos, Afro-descendants from the Americas and LGBTQ populations.” – The New York Times

Paris Sees Blackface Controversy As Students Protest Aeschylus Staging At Sorbonne

Denouncing the staging (which no one had yet seen) as “Afrophobic, colonialist and racist,” protesters forced the Sorbonne to cancel a performance of The Suppliants at the university’s annual festival of ancient Greek theatre. Top Sorbonne officials and government officials called the protests “absurd,” while the director insisted that the production used no blackface at all. – The Guardian

New Canadian Film Shot In Indigenous Language With Only 20 Speakers Left

“With subtitles, audiences will be able to understand a feature film titled SGaawaay K’uuna, translated as Edge of the Knife, which has its UK premiere in April. It is in two dialects of the highly endangered Haida language, the ancestral tongue of the Haida people of British Columbia. … The film is playing an important role in preserving the language, its director Gwaai Edenshaw said.” – The Guardian