The Eastern State Penitentiary in Philadelphia, built in 1829, gets hundreds of thousands of visitors each year. “Talking about the site’s history didn’t seem like enough for Sean Kelley, senior vice president and director of interpretation. Two years ago, … [he] helped rewrite the museum’s mission statement, declaring that Eastern State would no longer be neutral in recognizing mass incarceration as a crisis.” Shannon Eblen has a look at the new exhibits that have gone up in response to that change. – The New York Times
Tag: sj
Framing A Debate On The Purpose Of Museums In Contemporary Culture
In recent years, we have witnessed public calls to decolonize the museum space: the return of objects taken from other cultures, fierce debates about who has the right to tell whose story, exhibitions of alleged #MeToo offenders deferred or canceled, and artworks memorializing nations’ racist pasts taken down and/or recontextualized. Artists and activists, including hundreds of museum staff, have urged organizational leaders to disavow patrons involved in socially irresponsible investments that perpetuate violence and addiction. These events have shaped contemporary museum culture, motivating a profound questioning of the ongoing relevance and purpose of museums. – American Alliance of Museums
Louisville Ballet Did A Piece With A Same-Sex Relationship — And Got Even More And Nastier Mail Than They’d Expected
“We knew by promoting a love story between two men we would make some people uncomfortable,” said company officials of Human Abstract, “but we were not prepared for this grotesque display of hate.” (They say that positive response outweighed the negative.) One particularly vicious email got its author, a research cardiologist, fired from editorship of a science journal. – The Courier-Journal (Louisville)
Museum Staffers Ask, If You Can Spend Millions On Expansions, Why Are You Underpaying Us?
“The most noteworthy example may be the New Museum, which is in the midst of an $85m expansion. Despite the institution’s progressive founding values, its staff have never been unionised — until now.” But there are others: MoMA (Manhattan and PS1), Vancouver Art Gallery, SFMoMA, etc. Jillian Steinhauer surveys the current lay of the land. – The Art Newspaper
In Gaza, A Theatre Revives Itself Amidst The Wreckage
ASHTAR Theatre had made its home in a Gaza City cultural center that was destroyed last August in an Israeli airstrike (launched to retaliate for rockets from Gaza fired at Beersheva). Nevertheless, they persist: ASHTAR members have been continuing the theatre’s work, throughout the territory and literally on the ruins of its old home. – American Theatre
Report: Despite Efforts, London’s Creative Workforce Has Failed To Diversify
Covering the breadth of the creative industries – from design, fashion and crafts to performing arts and TV – it notes there has been a 24% growth in creative jobs in London since 2012, but says 95% of workers still come from advantaged backgrounds. – Arts Professional
Misty Copeland On Erica Lall
Copeland’s colleague at American Ballet Theatre used to be a kid looking up to her – and Copeland is impressed with the adult Lall: “Erica is very mature in terms of knowing what she wants and being assertive in a way that I think really works — especially as a Black dancer. There’s a fine line between maintaining your identity, and not becoming someone you’re not just to fit in with a certain culture.” – Refinery29
Mexican Cinema And TV Have A Long History Of Making Fun Of Indigenous People
Last week’s utter foolishness over Oscar-nominated Roma star Yalitza Aparicio (Yeka Rosales, a TV personality for the Mexican-based Televisa network wore a prosthetic nose and thick lips to make fun of Aparicio) isn’t new to Mexico. In fact, one professor says the mocking of indigenous peoples is “as old as film” – Los Angeles Times
New Orleans Mardi Gras Blackface Tradition Under Fire
Modern-day Zulu Club members defend their practice by saying they are honoring the original group who were poking fun at the white actors. And there is a lot to like with this defense if you are a member of the Zulu Social Aid & Pleasure Club, or a preservationist-hawk for all New Orleans culture. However, if you are neither of those things and you happen to be in New Orleans for Mardi Gras, then Zulu blackface may not be for you. But you will be subjected to it anyway, even if it offends you. – CityLab
London’s National Theatre Created A Community Theatre Experience For 200 People.
“We have heard stories about people finding the confidence to get their first ever job or making new friendships with people from a different generation, area or culture who they didn’t think they’d ever otherwise have met. And even, in one case, suddenly finding their chronic pain causing them much less of an issue. Most common of all, perhaps, was a shared sense – that audience members also spoke about night after night – of feeling more connected to their home and their city than they had ever felt previously.” The Guardian