Tag: sj

Museum Of Contemporary Art Cleveland Makes Itself More Inclusive Very Simply: Free Admission

The move is part of the museum’s 50th anniversary “Open House” inclusivity initiative, which also includes “the creation of a diversity-focused curatorial fellowship (the first recipient is LaTanya Autry, who has held curatorial positions at the Yale University Art Gallery and the Mississippi Museum of Art), an engagement-guide apprenticeship program, enhanced onsite programming for families and teens, and the addition of an education specialist.” – ARTnews

UK Panel Rules National Gallery’s Laid-Off Educators Should Have Rights As Workers, Not Freelancers

Mind you, the tribunal didn’t find that the 27 plaintiffs were unfairly sacked; neither did it say they should have all the rights of Gallery employees (not the same thing as “workers” under English employment law). But the ruling did say that the group, mostly lecturers and docents, must “enjoy benefits such as minimum wage, holiday pay, and protection from dismissal, which self-employed contractors do not” — a finding with major implications for how freelancers are treated in Britain. – Hyperallergic

The Ballet Dancer Whose Workout Film In Pink Stilettos Earned Him Viral Fame

Harper Watters says that sharing his story, including the viral video where he and another dancer wearing pink stilettos dance on treadmills, is good for his dance with the Houston Ballet. “I saw such a response to me sharing myself authentically off stage and outside of the studio, I thought why don’t I do that more in the studio. … And the second I did that, my dancing became so much better and so much more authentic.” – KTRK (Houston)

Sure, Rami Malek’s Historic Oscar Win Is Great For Arab Representation In The Movie World

But a lot more needs to happen – and not just for filmmakers like Nadine Labaki, whose Capernaum (Lebanon) was up for Best Foreign Film, or Talal Derki, whose Of Fathers and Sons, filmed in Syria, was up for Best Documentary. “What is really needed is better support for Arabs working in cinema in the Middle East who are trying to make quality films.” – The New York Times

What Happens When An Author Who Identifies As Non-Binary Is Nominated For A Women’s Fiction Prize?

The author Akwaeke Emezi’s debut novel, Freshwater, is on the 16-book longlist for the Women’s prize for fiction. Emezi identifies as a non-binary trans person and uses they and them as pronouns. The chair of the judging committee: “We’re very careful not to Google the authors while judging, so we did not know. But the book found great favour among us, it is wonderful. They are an incredibly talented author and we’re keen to celebrate them.” – The Guardian (UK)

Chiwetel Ejiofor’s New Netflix Film Avoids Sensationalizing A Disaster Through Telling A Specific Tale

Ejiofor, known in the U.S. best for his starring role in 12 Years a Slave, has now directed (and is starring in) a new film for Netflix, The Boy Who Harnessed the Wind. He wanted to be careful to ground it, and set it, in a very specific place and time. “The way that we relate to those kind of rural African communities is very rarely within the epic storytelling tradition of cinema. … So it was important to me to look at that and to think, Okay, how do I render this truthfully, but in an epic way?” – The Atlantic

Two Centuries Of Incorrect Labeling Made Us Think Gilbert Stuart Painted A Portrait Of George Washington’s Enslaved Chef

So the painting isn’t a Stuart, and it’s definitely not a portrait of a chef (and certainly not Hercules), say experts. What the heck? Errors of interpretation. “‘No American cook in the colonies dressed like that,’ said Evans, noting that the now-familiar chef’s toque did not appear until the 1820s. ‘It’s a fantasized image of what people want, because people want to have an image of Hercules. And people see the things they want to see.'” – Philadelphia Inquirer

America Ferrera Says Everyone Deserves To See Themselves Reflected Onscreen

Ferrera, star of the How to Train Your Dragon series (movie and TV) and – relevant to this conversation – of Superstore, says, “The issues that we talk about on the show are timeless and completely relevant to what it means to be working-class in America. One of my favorite episodes has been the maternity-leave episode where Amy has to come back to work 48 hours after giving birth, which sounds like a ridiculous sitcom setup. And yet when the episode aired, I heard from so many women about how that was a reality for them.” – The New York Times

Hey City Ballet, Wait A Second: Why Isn’t Wendy Whalen Co-Artistic Director With Jonathan Stafford?

Great that Whalen and Stafford are leading New York City Ballet. Super. Getting closer to equality, clearing up some of the past months’ terrible news, and so forth. But … problem: “Elevating the job title of a man over a woman seems like a regressive, shortsighted and even cowardly act. It’s also a confusing one given that in an interview in The New York Times the two said that ‘they intended to work as partners.'” – The New York Times